Purses and Change
Weavezine has just published a little article of mine on making purses from narrow fabrics such as Inkle loom woven bands. The trick to success with this type of fabric is to use a fine yarn such as 20/2 cotton and have all black ends on the selvedges. This way you can butt the edges together using a zig zag machine stich and a piece of commerical selvedge strip or tape on the bottom to reinforce the seam. Different purse shapes could be devised and some shapes could be more professionally finished with the addition of a piped seam. Look to upholstery sewing techniques and processes for how to do this. When I have made upholstery I have always used a piping from car uphostery makers.
This is much harder and more versatile than softÂ fashion piping so will be more durable.
Syne also had an article on Kente cloth –Pacific Northwest Kente-which is one of my favourites. If you look closely at the threading it produces plain balanced weave, weft faced tapestry type weave and an inlay weave which hasÂ plain weave interspersed within it.
It is a threading of great simplistic beauty and ingenuity. I have made several tops with this method combining ikat weave in the plain weave base as shown. Here you can see the weft faced weave which completely covers the warp and allows tapestry weave effects and the inlay style which is more ethereal and allows the ikat and underlying balanced weave to glimmer through.Â Â
I have always appreciated the great gifts of knowledge handed to me over my life by other people.Â I look to books and the internet -immersing myself in ‘knowing’ ideas, techniques and processes on every textile technique.Â Â I studied dressmaking andÂ pattern design at TAFE, Â taught myself to weave, spin,Â crochet and braidÂ and imagined that everything I have learnt from others were ideas that I could then share or adapt building on my actual experience.Â However I’m slowly realising that this is no longer possible or even desirable. Today, ideas must be completely original and new to share and I’m not capable of this or of knowing which ideas belong to others. I look to past skills and ways of doing things and like to build on these…and depend on them. This is what gives me great pleasure. I look at ancient fabrics and see how the weft end is turned into the previous row and glow knowingÂ that I do this exactly the same way today. It makes me feel connected…..but it’s notÂ original. TheÂ technique belongs to others.Â Of course, I’m still weaving and creating butÂ my ideas are ‘knowledge and experience’ of techniques not unique techniques themselves. I find that most innovative ideas stem from the development of new tools, materials or an increase in people being able to access them.
Â In this line of thought it is fitting that the last of my looms will go off to Melbourne shortly. It is a radical change for me as looms become part of you. This Thorpe CounterMarche loom has more than paid for itself and sustained my craft as my children were growing up. It has woven many metres of wonderful fabrics and you can see my oldest daughter, all grown, helping with its unassembly. This loom was in the lounge room with the TV for most of her upbringing!
But my loomlessness is more about revitalisation. I’m changing my direction and getting more space and I’m doing it by buying another loom! I had originally intended to buy a Digital AVL studio loom which is really compact and small but still had a computer interface. But then I heard about a digital loom with a countermarch action. Could this be possible. I thought they were all jack style looms. The Finnish Toika looms fit this bill. The advantage of this loom is:
- 1. It is a 24 shaft digital loom
- 2. It has a countermarche action
- 3. It has one pedal which is electric for shaft selection
Most reviews I’ve heard or read are very positive about the loom so I’m pretty confident it will create the best features of both my sold looms into one loom which also gives me more studio space. Clever eh~!