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Posts by curiousweaver

New weaves and weavers

My friend Lyn has just started her first Saori weaving with great ideas and gusto. This is an example or her first project which uses cotton and wool – with some silk/stainless steel thrown in. I can’t wait to see it off the loom and washed. It’s a cloth full of anticipatory surprise, like many Saori inspired textiles. It will shrink up in unexpected ways creating a unique and time infused (fancy words for ‘taking much longer than a machine’) textile.

Today I’m going to attack my Toika loom, to complete winding the sectional warp with my AVL warping wheel using many segments that were handpainted. More later…

More Designs for the Body

This is my newest woven garment – which I’m very happy with. Basically a ‘vest’ style it only required 3.3 metres @ 33 cms wide. Wool, mohair, cotton and silk/stainless steel were used. The silk/stainless steel didn’t do its usual job of  ‘elasticizing’ the woven width  as the wool shrunk to meet its width and now only performs as an element of sheer peeping through the garment. But that’s ok because that’s a valid design option – isn’t it?

The neckline can be worn in several ways, ranging from a dramatic dropped shoulder with a collar or a draped cowl style neckline. There was no waste at all, as the two armhole pieces were made into a flower brooch which will be worn at the front when it is draped at the neckline. It looks far better on a human   than the static non moving dress form photographed.

I did a bit of Brooks bouquet on the weave which I really enjoyed. You can just see a piece on the front panel of the vest.

As I added this project to my list on Ravelry I had to name the work, which I did as ‘Divergent Thinking in Red’. This has come about because I’ve been reading about creativity and its value or lack of in our educational systems generally. Reading Out of Our Minds: Learning to be Creative and seeing Ken Robinson’s Youtube of his hypothesis here, I started to think more about how creative and ‘divergent’ weaving is. For me, it has sustained me in low and busy times in my life and also allowed me to become more educated about our world and history in nearly all areas of human interest. It has allowed me to peek modestly into what might be divergent thinking and imagine many ‘what-ifs’.

Art Yarns vs Weave Spontaneity

Working with 2 shaft tactile weaves in the Saori philosophy has re-ignited my other passion for spinning. Well, anything to do with textiles is in the passion basket anyway.

Wooldancer and EweGiveMetheKnits have given me the push with their friendly and inspiring blogs. Then co-incidently, as things do, the Online guild is hosting a blending workshop with Alison Daykin – Starts in February. They also recently hosted an Art Yarns course with Helen Melvin.

Interestingly, the style of weaving and techniques used in Saori often creates a texture and emotive response similar to handspun art yarn  but is created simply by a focus on fibre content and weave spontaneity alone. I’ve titled this post Art Yarns vs Weave Spontaneity which could imply some sort of decision, discussion or competition between the two, but this isn’t my intent at all. They are connected to each other and provide a greater palette for us to use in woven textiles. The weavers palette is more than colour alone - it includes the tactile, provided by structure, fibre and spontaneity as well. Aren’t we lucky.

There are so many new books out there on Spinning that I ordered the following for my birthday! The great  Abby Franquemont’s –  Respect the Spindle, and Jacey Boggs’s Spin Art: Mastering the Craft of Spinning Textured Yarn. Can’t wait for these ones. Keep Weaving.

 

Sheep Show 2012

fleece on a sheep

Image courtesy of Australian Sheep and Wool Show Bendigo

I am so excited about confirming that I’m attending the Australian Sheep and Wool Show in Bendigo – July 20 -22.  I’ll be demonstrating weave and other magical fibery creations on the lovely Saori looms and hopefully meeting lots of fellow sheep interested people – knitters, spinners, crocheters, dyers, weavers and colour lovers.  And of course anyone interested in coffee. See the Woolcraft blog for the show here. Read more

Almost zero waste design

This constitutes the total waste from the garment I just designed. Almost zero waste! Some other shapes that I could have cut off to seam became a re-enforcement for the garment. This type of weave is very forgiving with the machine stitching and either straight or zig zag could be used. This is the weave that got me thinking about what I could stitch up.

I basically cut out shapes and pinned them to myself. I made sure the squares which formed the front were on the bias to give a better drape. The pattern, surprisingly, became one that you can wear two ways.
Here is an image of the front and back of Designway One. Notice the knot like formations at the shoulder. I was trying to create a summer weight sleeveless design and this works well. Linen yarn may also work well as it is crisper for the summer look.
This is designway two which is equally as nice but more conventional in feel.

The warp was only 45 cms wide and the finished cloth 1.8 metres long.

The limits of reading the news on an IPAD for weavers

IPADS and other news reading apps and devices aren’t for weavers. A screen can never really double as a weft, or add to our stashes. (well maybe it could if I smashed it up and took out the microchips but at the cost of an IPAD that’s not going to happen any time soon) Read more

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