Archive for the 'Handweaving' Category

Aug 20 2010

Warp abrash with echo weave via the Warping Wheel

Published by curiousweaver under Dyeing, Handweaving

Struggling with a dilemma….well probably one that others have solved first. But when you are thinking of how to solve problems yourself it feels like you’re the first. Like an adventure without leaving the house.My problem is all that white yarn in my stashed supplies. It’s so difficult to get the range of colours that seem so available in other countries. This is why I dye most of my yarn and I’m always trying to avoid ‘double skeining’. That is winding a skein up, dyeing it, then winding a package or cone ready to wind into a warp. Notice the word ‘wind’ occuring too much in the sentence.Mostly I use a combination of fibres to get around this and do the final dye with the woven piece. But what about the type of echo weave here. One thread of each colour works best on this weave. The other advantange is that I will be able to add ‘abrash‘ to each dyed yarn as I paint it.The problem: how can I dye these and use my AVL warping wheel to wind the warp onto the loom?

 Firstly the warp calcs: 

 I decided on 672 ends in total. This means 42 ends per section (my sections are 2cms) I will require 16 sections in total to equal the required 672 ends. (16 x 42 = 672 )

Of those 42 ends there are 3 different colour which equates to 14 ends per colour. The colours above are purple (14 ends per section to be dyed) Black (14 ends to be wound but I already have black), and pinkish (14 ends per section to be dyed).

This means creating 16 separate warps with 42 ends for each colour. HOWEVER, I have to separate these clearly so that, after dyeing, I will place the 3 x 16 end warps (one purple, one black, one pinkish)  all together back onto the warping wheel to be wound onto the sectional warp beam.

 

Here is how I layed each of the warps. I was using 2/20 tencel and laid each section through the reed as 2/2/3/2/2/3 Up close, see each section is taped off securely and the next section wound on top. 16 sections all shown here.
Cutting the warp off the warping wheel.
   
Securing both ends ready for dyeing.

Do you think my plan will work?

I hope it does…it will be worth it if 1) I don’t have to wind so many times 2) I can get colours I want without having to search the world. 3) I can create ‘abrash’ in echo weave.

   

5 responses so far

Aug 20 2010

Bamboo Project Complete

Published by curiousweaver under Handweaving

At last…I’ve finished the Pics to Picks project. I completed two scarves and dyed each a differerent shade of purple/violet. Very different from the loom look here.

The bamboo is lovely, providing a ‘grab’ in the fabric which suits a wrapping scarf.

2 responses so far

Aug 01 2010

Weave Juice

Published by curiousweaver under Design, Handweaving

Although I’ve been busy doing non-textile things :(  I’m still in there gearing up for new design and teaching ideas in weave.  
A game using random weave ideas to build textile innovation by Ann Sutton (Ideas in Weaving – Sutton and Sheehan) has always inspired me (just as anything Ann Sutton has done)  and I recently converted my homemade cardboard make dos with some lovely new cards from moo.  As I had 100 unique card opportunites with moo printers,  I added some extra ideas and modified some of Anns to incorporate some new yarns and new techniques.
For example, new to the mix is some emotions…passion, jealousy, confusion and seasons… winter.  What ideas do these words conjure up in relation to weave textiles? 
The idea is to choose several cards from the pack and ‘unite’ the ideas into a cloth. If any of the choices are incompatable you grab another card.  Of course some things can be very challenging when presented as a design option like; ‘Use shades and varieties of white only’. Yikes- very difficult to me – I need the colour – but just maybe that’s the sort of challenge I need to bring on the WEAVE JUICES.

2 responses so far

Jun 27 2010

Bring Back Doughnuts for Weavers

Published by curiousweaver under Handweaving, Tools

Amanda and I had a actual weekend of weave and this is one of the the beautiful presents she brought with her. A ceramic doughnut shaped warp weight from Japan.When I hold this in my hand I’m sent into another dimension – I think of other people and other times where textile production had it’s own specialised tools also created by gifted craftspeople. Attention to detail, function and beauty. A time or place where where beauty isn’t considered irrelvant, unnecessary, inconvenient, costly, pointless..such as shown in my usual weight which had a previous life as a film canister.Having said this, the humble film canister performs well and I can adjust the number of lead weights inside to suit the situation. But it sure lacks any visual beauty.

Now that film canisters can’t be bought, where to now for our odd warp weights.

The Japanese ceramic weight on the back of the loom
Amanda believes this indicates the weight. There must be specific weights for different weave/yarns. This one was a bit too heavy for the 2/20 silk ends I was using. This initially looked like wear on it, but it could be cleaned off. It may be purposely there to provide a grip of sorts. Or it may reveal to someone what it’s original function was.

9 responses so far

Jun 04 2010

Pics to Picks – Print to Loom

Published by curiousweaver under Handweaving

Well here is the images of my bamboo experimentation with more to come. I’ve started with the sampling on the warp and will probably go with the fine bamboo weft which has a silky handle and soft ribbing effect.

I don’t seem to be able to weave white successfully. I know it’s needed and we can’t do without it on the web and in our blank journal books but it’s an unfulfilling colour for me – it has an uncomfortable yearning about it. So into the dyebath all these will go. I’m looking into stencilling with dye or stencil resist if there is such a thing.

7 responses so far

Jun 04 2010

Bamboo Textile Patterns for Print

Published by curiousweaver under Design, Handweaving

Stylised bamboo images are well known in textiles and wallpaper.

I found these and liked the incorporation of the bamboo ’seams’ and leaves together. My image for pics to picks didn’t have the leaves but they offer another dimension to the patterning.

I also experimented with a peg plan possibility. But my experiments didn’t go too smoothly but I will try again. I need to get the scale and proportions correct for the small pixel size of the peg plan.

The pegplan experiment

One response so far

Jun 04 2010

Enjoying Images

Published by curiousweaver under Handweaving

Although I’ve decided to go with the bamboo image for my Pic to Picks weave challenge I’m still fiddling with all the other images that Meg gave me. The more I look, the more I see.Notice the blue image in the corner of this image. It was very interesting because it was on a curve and I was able to draw several various versions of this.

I’m not sure how these will be used in my work but they are filling up my journal pages nicely.

One response so far

Apr 18 2010

Bamboo meets Ribbed Weave

Published by curiousweaver under Design, Handweaving

Progessing with the Pics to Picks challenge I’ve managed to wind a long 9 metre warp onto my loom ready to test out some ideas and yarns in the weft. I know the warp is long (at least for me) and I promised myself that I wouldn’t put on long warps anymore because I get a bit bored sometimes… but here I go again. I must admit that it is totally fun now winding and beaming warps with my new AVL warping wheel, so maybe it’s all an excuse to use my new tools.Using the bamboo image I’ve isolated the actual bamboo from the photo and used this as a basis for a ribbed weave with 3/1 and 1/3 twill stripes in 2/20 silk. Meg’s explaination about the use of bamboo in Japan and China in connection to food has challenged me to look again at the project. Either I create a piece that can be used in conjuction with food such as a table runner…or should I just eat nice food (or health food such as chocolate) as I’m weaving it. I was going to weave collapse style scarves but I could easily include a non-collapse table textile on the same warp, perhaps allaying any boredom with the long warp if it creeps in.

Look at the ’seams’ on the bamboo photo. These are more interesting than the bamboo itself for weave design. So I’m trying to include lots of these in an intermittent way. This possibility is only achievable with lots of shafts. I have 4 shafts devoted to the basic ribbed weave structure. The other 20 shafts offer another 5 arrangements of bamboo ’seams’. By changing the tie up again I can also combine arrangement to create more ’seams’. The ’seams’ are simply an exchange of the 1/3 twill with the 3/1 twill in small areas.

Here is a design showing the front and back view of the structure, followed by photos of the warping process.

 See all my Pic to Picks entries so far.

5 responses so far

Apr 04 2010

Saori Children

Published by curiousweaver under Children, Handweaving, Life

Easter was so full of fun and activity. Not only did my daughter come home but also my sister in law with her three children.

Any children on site get dragged into the studio for activities around here. Painting easter eggs, building with duplo, drawing pictures and, of course, weaving.

Darby started weaving a flower garden on the Saori loom with her 3 year old, super inquisitive brother supervising. It is a few years since she first wove on this loom and I was amazed and very encouraged by her ability to work the pedals and shutlle so efficiently and f a s t!. She was also able to change the shuttle bobbins and pick up the shed she was weaving on after a change of colour quite intuitively. We had some silk flowers to insert in the warp to make the garden.

I’m off to study Saori weave in Osaka later in the year….just can’t wait.

Darby and Lewis ‘working’ the Saori loom
Darby weaving flowers into the weave

4 responses so far

Mar 30 2010

Lighting up the shadows

Published by curiousweaver under Handweaving

Shadow weave is on the loom at the moment and just cut down. It was nice getting into a rhythm with the two shuttles and teaching your hands to do place them quickly. Slowly at first, then working up a speed of sorts.

This is a weave I’ve done before and really like it. It has an African kente cloth feel because it is sectioned with large cells of different designs. I’ve used 20/2 handdyed silk at 24 epi and the drape is lovely even though it is technically a plain weave.

 

 

When I’m weaving at the loom for periods of time I’m finding that I need better light….getting to that age I guess. I purchased a Daylight lamp from Scissorman (Ott-Lite 13W task light) not thinking that it would be of any use at all on the loom because it was a table lamp but my husband attached it with the slots underneath made perfectly for a loom lighting situation. Here you can see the slots.
See here how Dave attached a screw to the castle of my Toika loom – Cosmos.
I can just place the secured screw into the slot at the bottom of the table lamp. Initially I wasn’t confident about it’s ability to stay up there but it worked.
Here is the light attached to the loom and shut or off.
When I open the light up it is on and gives great daylight showing true to life colours and helps with the details in weaving for those of us who need it! No excuse to get weaving now.

 

In another post I mentioned the weaver Laverne in reference to Bolivian/Sth American back strap weaving. She now has a group in Weavolution and you must check out her blog. The pick up designs are amazing and very inspiring. You don’t need a fancy loom to create breathtaking beauty you just need to grow the skills in yourself.

2 responses so far

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