For those of you who have been weaving in the Saori way for a while, you may have quite a bit of fabric ready to turn into a wearable. You may even get to the ‘another scarf and I’ll scream’ situation. Please, I’m not rebelling against scarves! I love them and I think they are the most underrated, important piece of clothing you can own, but it is nice to have a break from them at times.
The first process in making garments is overcoming a possible fear of cutting the fabric that you may be harboring. You’re not alone. It took a lot of effort and resources to make it and cutting it seems a wanton thing to do. But you must do it. Work out where you need to cut and stitch two lines of machine stitching about 1cm apart from each other. I nearly always use a plain stitch but some cloths may require a zigzag. Then (bravely) CUT. Read more
Weaving with rags is such a wonderful tradition. In Japan it is called sakiori. It’s one of the few things where old and worn out is a good thing. In fact it’s better than when it is new. Old worn clothing gets softer as the cloth breaks down and is laundered. The cloth I stripped here was soft and on its way out but didn’t have any holes. It’s now become ‘brand new’ and young again ready for another life by weaving it into a new structure. It is one of the most satisfying weaves you can do. At least in my little opinion. Like baking bread it makes you feel so independent and powerful…even though I’m not.
I had a nice time stripping up the cloth on the Saori Sakiori cutter. It was rather the stress buster. It’s good to change tac once in a while in our work and spend time in preparation rather than the wading in the doing.
I think I take my sewing skills for granted. And I image everyone else has the same skills. But increasingly, because we haven’t had to make our own clothes, we don’t need those skills. I understand that others have more valuable skills to earn money. But to make your own clothes…that’s a freedom. To weave the cloth for them…even more so. You can save money, value what you make more, choose your fibres, have less clothes, and have clothes that actually fit you. This year I’ll be taking more about clothing, sewing and how weaving fits in with it all in the Saori way.
This is the Maya top with versions of the huipil overlayed on top.
As a weaver, I’ve always made some clothes from my cloth but I haven’t been as productive in cloth yardage as I am now with the Saori loom. In the ’80s there were many books on clothing from rectangular and narrow widths which are often found in other cultures who use the backstrap loom. One of these is the simple and elegant Huipil. Like the Kimono, the beauty of the clothing is in the design of the cloth rather than the cut. It’s also about not wasting the energy and resources that go into the weaving and making the most out of the cloth without cutting it.
Misao Jo – Saori Founder (1913-2018)
“All flowers are beautiful, even though each individual flower is different in form and color. Because of this difference, “all are good”.
Because everything has the same life, life cannot be measured by a yardstick. It is this individuality that makes everything meaningful and the uniqueness of each thread that creates the tapestry of life.”
Sadly Misao Jo, the founder of Saori has passed away peacefully in Osaka at 104 years of age. Saori no Mori have a tribute to her on their site. Her presence will be sorely missed within the world’s Saori communities and beyond. The philosophical concept of Saori was promoted by her work and the way she saw ‘gems’ in everyone and used the skill of handweaving to convey that in a tangible way. Saori is a very personable and open invitation to weaving and art. Everyone is invited. Unlike some previous other visionaries in this area, which felt more exclusive. Read more
Weaving can be child’s play, for both children and adults. It’s the time of year where my little people converge in my studio to play with all things weaving, art and pasting. I don’t have much courage with glitter but maybe tomorrow.
This is a woven piece, almost accidentally woven together by my 4.7 year old grand daughter. The pink roving got her going and the fluro pink kept her there. I purposely sought out a pack of fluros for her because the colours are so instantly appealing to young eyes.
I’d like to do a bit of food colour dyeing on the corridale wool too. One great thing about the grandma job is the time to play with children. As a mum I didn’t experience time in the same way and was just too busy with everyday needs for my children. I’m sure that isn’t everyone’s experience and I can see that most mums can juggle everything today, including earning good incomes, but I couldn’t. Hopefully my grandma moments can fulfill some of this. And having lots of looms helps alot!
I hope all my readers have a wonderful 2018, full of the utter joy that Saori weaving and handweaving in general brings us. Saori weaving is growing and there is a real community of us out there. My weaving is temporarily stalled by the fluro pink slivers around the studio but I like looking at others weaving just as much as doing it myself.
I’ve just seen the finish of the last workshop for 2017. Where did that year go?
The weekend workshop was intimate and great. Such different weaves created by the participants. At one point they were all so engrossed in the task that there was no talking!
We see lots of weaving words making connections to other aspects of life, such as the tapestry of life, and I thought this article referring to facebook tearing apart the social fabric was an interesting one. Fabric can only be such because each thread intertwines with the others. If you start hacking into a few of them the others start to fray and gradually become consumed by the hole. The construction of fabric implies a dependency and trust that the other threads will work with each other to remain intact. I just hope facebook doesn’t start on the saori fabric too.
Although now, none of us seem to be comfortable being ordinary, it is what most of us are. Well at least me. Our lives can be restricted and luck plays a large part in what is available and possible, often despite your alternate goals and expectations. Social media makes us think that we should be something different, more this or less that and no ordinary moments. I came across this quote recently by Shin’ichi Suzuki (1898-1998), the violin luminary. (BTW,Violin is my other love!)
“The real essence of art turned out to be not something high up and far off: it was right inside my ordinary daily self.”
I’ve just finished the garment that Masako designed with my fabric in Japan. There were a couple of moments with it. For one, a double row of fast machine stitching which had to be unpicked on the open weave piece of the garment without cutting the warp or weft threads. Unpicking can be difficult but I managed it. Luck in the wind. I really like the neckline on this piece and the uneven ‘godet’ style slices that form the sides. When you cut an angled piece from the fabric the bias side will be longer than the straight edge. Masako recommended attaching that edge to the front rather than the back. The front can do with more flexibility and movement. It’s tricks like these, from experience with how Saori cloth drapes, that are invaluable.
You will notice some small pieces of knop yarn in the front. These were spun on the Saori loom bobbin winder by Terri Bibby from Saori Salt Spring in Canada when I met her in Japan. I am just so wildly keen on this sort of ‘input’! Some of my clothing has weaving from the little people in my life in it and also other weavers. It’s a good way to remember people. This top has to have that Canadian hint in it.
Yes! you can let others weave on the piece you are working on. It breaks down the coveted ownership that we have, at times, over what we create. So get weaving some cloth and ask some little people to do a few rows too.
Japan. Although I’ve been there many times it just reveals more of its many layers in small increments, bit by bit. It is so different and yet so familiar too. I spent a week at the Saori head office at Saori no Mori and still learnt more about their approach to weaving cloth. It is so enlightening and encouraging.
A couple of highlights, firstly meeting Terri from Saori Salt Spring after all these years, Laura from Saori Studio LA and Merrilee from Canada. Then a design class with Masako. She is the master designer behind the Saori clothing books and the way she takes your woven cloth and lets it speak about how it should be stitched into a garment is wonderful. It re-enforces the idea that we shouldn’t weave to create this or that particular garment or cloth but to just weave. Leave holes, weave extensions, criss cross and just enjoy the whole process. Keep going with it. Read more