Double Weave Dilemmas
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Just how much can you play around with drawn or painted images and transfer them into a woven, loom controlled textile other than tapestry weaving? To do this successfully you need to know about weaving structure – its possiblities and limitations. This in itself almost drove me mad, in those ‘incubation’ to insight days of frustration. I wanted to use double weave and Photoshop to create the patterning, but I really had to study up on the double weave structure. Battling though all my pattern structure books I wondered how all those authors write so calmly and authoritively on these confusing subjects. I appreciate the authority of their knowledge but they really need to include a few screams now and then. Perhaps this blog entry will now appear to you as a ‘self evident’ calm and easy progression from idea to fuition. Sorry that wasn’t it at all! And I’m still only at the sampling stage. In Photoshop, I set up a preset pattern to fill the peg plan design. (See Peg Plan Art). The pattern is 4 x 4 squares, one for the dark on top look and one for the light on top look. I then filled my painterly design with these patterns and voila! The magic of designing lies in the 4 x 4 squares red marked squares. If you only have eight shafts just mix and match these in the tie up and you can make all sorts of squared patterns. The weave on the loom went nicely. The dark threads were 50/2 bamboo and the light ones 30/1 wool crepe. It was a good mix with the wool shrinking up when washed. I now have images of sheep in bamboo groves. Does bamboo and wool really go together?
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| A leisurely idea in pastels | |
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| Plain weave double weave with dark on top. Warp and Weft is a dark thread followed by a light thread. | |
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| Plain weave double weave with light on top | |
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| This design mirrored a portion of the peg plan below. | |
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| This is the design I went to the loom with. | |
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| The design on the loom |
















