Communicating with Saori Weaving

I know…it’s been a while for a post. At times I felt as if my ‘voice’ had gone and there is nothing left to add to so many things going on around me at the moment. Are we all caught in a revolving door going round and round and not moving – helpless to stop it revolving again and again? The big Aussie luck has saved us thus far from Coronavirus which is a very good thing. Now we are in major flood in the Manning and it is really heartbreaking to see the terrible impact for many people who have lost their homes and businesses.

So it was absolutely wonderful to fire up the studio with a mother and daughter team workshop recently. Freya focuses on pink. But diverged into other brights and put them all together is a most happy way. Our Saori cloths really illuminate how we feel or something deep inside us. I think Freya would find herself feeling ‘sunny’ in the workshop if I am interpreting her colour choices correctly.

Sunny brights and Fluros with double plus wool texture.

The pinks in action.

Freya’s truly expressive edges with total abandon. For those of us who worry about edge finishing this is a wonder in release of expression and probably a way of weaving which I would find difficult to do.

Freya’s mother Jo took an equally interesting approach in another way that adds a soft contrast to her daughter’s work. She wove the new two shuttle technique on cotton/linen and we renamed it ‘moth-eaten’ technique when we turned the fabric to the back. Both sides are very different and so much can be done with it especially in clothing design.

We always get to talk alot in workshops and using our textiles to communicate stories, feelings and even protests came up. Stitch has always been used to communicate both outwardly and secretly but I also learnt that Oya crochet in Turkey is also about communication for Anatolian women. Maya Kuzman writes ‘Oya was the secret language they developed to tell the world what they had or how they felt. For example blue oya meant happiness and yellow meant tiredness. 

I think I should weave with more yellow!

Jo mixes the colours on the one bobbin.

Cutting the wefts in the shapes. The tufts create little landscapes within the cloth. Jo experimented with a very different colour blending.

Very different front and back effects. From the back there is a transparency because of the finer yarn on one of the shuttles...moth eaten technique?

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